30:56
Sonata Allegro Form Explained: Haydn Piano Sonata in D Major, Movt. 1
Scott Watson
11:34
Musical Form
18:50
A Brief History of Music Notaton
17:20
Layering and the 100% Rule Explained (longer version)
15:52
Pedal Point: Compositional Device Explained, with Examples
3:17
Pedal Point Duet (simple explanation)
2:30
Composing & Arranging for Band
7:49
Music Theory: Key Signatures (& Major Scales)
11:40
Music Theory: Major and (Relative) Minor Scales
10:24
Music Theory: Intervals
7:08
Music Theory: Building Triads (Major, Minor, Diminished, Augmented)
11:25
Music Theory: Scale Degree Names
7:51
Music Theory: Authentic Cadences
3:23
Music Theory: Authentic Cadences in the Minor Mode
6:40
Music Theory: More Minor Authentic Cadences
4:32
Music Theory: Implied Harmony, Harmonizing an Entire Simple Melody
4:07
Music Theory: Implied Harmony, Harmonizing the Cadence
6:30
Music Theory: Intro To Part-Writing
5:37
Music Theory: Voicing Chords in Open and Close Position
5:39
Music Theory: More Work with Open & Close Chord Voicing
8:37
Music Theory: Part-Writing Authentic Cadences
5:25
Music Theory: Part-Writing Authentic Cadences, Given Only the Soprano Notes
8:14
Music Theory: Extended Tonic and Dominant Part-Writing Example
8:09
Music Theory: Part-writing Extended Phrases UsingTonic and Dominant, Given Soprano Only
1:38
Music Theory: Spelling the Subdominant Triad in Major Keys
3:22
Music Theory: Spelling the Subdominant Triad in Minor Keys
2:55
Music Theory: Analyzing a Melody for the Subdominant Chord
6:44
Music Theory: Part-Writing Plagal Cadences
6:45
Music Theory: Part-Writing Plagal Cadences Given Only Melody
Music Theory: Part-Writing Subdominant to Dominant Triads
10:47
Music Theory: Part-Writing Phrases Using Tonic, Dominant & Subdominant Triads
15:16
Music Theory: Intro to Chords in Inversion
7:12
Music Theory: Part-Writing Triads in 1st Inversion
5:00
Meet the Composer: Scott Watson
7:21
Music Theory: Part-Writing Successive 1st Inversion Triads
3:57
Music Theory: Using 2nd Inversion Triads in Music
4:23
Music Theory: Part-Writing 2nd Inversion Triads
Music Theory: Appropriately Using 2nd Inversion Triads to Harmonize a Melody
8:01
Music Theory: Part-Writing Diminished Triads
Music Theory: Voicing the Diminished Triad in 4-Part Texture
5:14
Music Theory: Part-Writing the Leading Tone & Supertonic Triads
10:05
Music Theory: The Mediant & Submediant Triads (spelling, analysis)
Music Theory: Spelling the Mediant & Submediant Triads in Major and Minor
3:43
Music Theory: Part-Writing the Submediant Triad
3:54
Different Musical Textures in Handel's "Hallelujah" Chorus
5:35
Music Theory: The Modes (White Key Spelling Method)
10:06
Music Theory: The Modes (Spelling Using Chromatic Alteration)
7:45
Music Theory: Various Other, "Fabricated," Scales
6:32
Music Theory: Calculating Parallel Minor Key Signatures
6:34
Music Theory: Part-Writing Review (Root Position, 1st and 2nd Inversion)
8:22
Music Theory: Chord Progression Types
5:02
Music Theory: Harmonizing a Melody (Chord Progression Types)
5:33
Music Theory: Harmonic Rhythm (Harmonizing a Folk Song)
14:41
Music Theory: Seventh Chords
7:55
Music Theory: Common Chord & Chromatic Modulation
4:56
Music Theory: Part-Writing Brief Examples that Modulate
7:05
Music Theory: Harmonic Analysis of a "Gavotte" by J.S. Bach (Modulation)
10:43
Music Theory: Harmonizing a Given Melody with a Modulation
Music Theory: Secondary Chords
3:05
Music Theory: Spelling Secondary Chords
5:57
Music Theory: Introduction to Non-Harmonic Tones
19:20
Bach Musical Offering
9:52
RHYTHM: The King of Musical Elements
8:03
What Is a Scale?
10:58
How to Play 8th Notes (in Band)
2:15
The Sound of My Name lesson
8:38
Key Signature Card Game: Fun Way to Practice Identifying Major & Minor Keys
10:25
Counting & Playing the Dotted Quarter, Eighth Rhythm
16:12
How Transposition - and Transposing Instruments - Work
6:03
The Rule of 3 Explained - Use This to Compose Like a Pro!
