0:54
Did Lalo Schifrin do demos?
Scoring Arts (Academy of Scoring Arts)
0:42
Composers as a service and not a product maker
2:01
How composers are chosen
1:24
A legendary studio exec story
0:47
Kevin Kiner on having self confidence without arrogance
0:35
Kevin Kiner on finding his voice
LIVE
[Private video]
1:25
How Tyler Bates builds and maintains his team
0:56
Tyler Bates on maintaining artistry through editorial decisions
0:48
Tyler Bates on handling egos and adversity
1:11
Tyler Bates on the importance of being creatively satisfied
1:16
John Altman on writing music for comedy
4:30
How Garry Schyman got his start
1:36
How Jason Graves approaches a new project
A tip on doing multiple sessions
1:53
Korngold's writing process for Robin Hood
0:52
The honesty of Erich Korngold's music
1:29
Using preorchestrated samples
1:09
Dealing with directors with temp love
0:59
Adapting to the future in the music business
1:49
The role of music in culture
4:06
You can only change the world you can touch
0:57
Gordy Haab on when all else fails, what does a composer do?
2:09
Paul Lipson on the importance of finding your own voice
6:56
Paul Lipson on building the composing team for Halo Wars 2
What makes an effective film score?
1:30
How a great score serves the picture
0:55
How do you begin writing a film score?
1:59
What does a filmmaker look for in a composer?
3:58
How can directors speak musical ideas to composers?
0:58
The different roles within a composer's team
1:23
The importance of not being timid
Does John Williams revise his scores?
0:49
Why composers should A.B.M. (Always Be Modulating)
How great orchestration can create a massive sound
2:13
The importance of mockups as a study tool
1:12
Carlo Siliotto on being inspired by filmmakers
1:37
Ron Jones on learning to compose in 30 styles
2:08
Don't begrudge the gatekeepers
Library music is the short end of a s****y stick
1:02
Find balance between writing timeless music and following a trend
2:36
Ron Jones's advice on staying abreast of what's hip
2:21
Austin Wintory's career advice and how to demo
1:40
Inon Zur on how live players can bring music to life
1:21
How mixes are delivered for Madame Secretary
2:27
How Alan Derian got his start in Hollywood
2:30
Apprenticing for other composers
4:02
Composing music under dialogue
Should you write a melody under dialogue?
1:18
Jerry Goldsmith and John Williams on writing to picture
Orchestration and mixing tips
2:11
How to research musical influences from other cultures
1:56
Why does John Ottman edit without temp music?
3:29
Does John Ottman edit films with his own temp music?
Bohemian Rhapsody and the Who Wants To Live Forever montage
The life lesson John Ottman learned from Cable Guy
1:44
John Ottman on different approaches to scoring in Valkyrie
1:15
Jeff Beal on creating sound design as score in House of Cards
1:32
Jeff Beal on avoiding predictability in music
4:39
How Marcelo Zarvos conceives themes for Ray Donovan
4:18
Marcelo Zarvos on how to keep underscores interesting
1:06
Marking up a score to study
3:08
Jeff Russo on the art of communication with fellow creatives
2:28
Michael Abels on finding your voice as a composer
3:51
Michael Abels on the Pas de Deux at the end of US
2:49
Kevin Kiner's advice to aspiring composers
