Xue Fangfei is unfortunate. She thought she had found her true love, but alas, her sincere affection was misplaced, nearly leading to an ending of "all flowers of April on earth gone, with none to know my name."
Xue Fangfei is fortunate. When the stormy night descended upon Qingcheng Mountain, she grasped the fate vine thrown to her by Jiang Li, embarking on a new "script" of life. Brushing off the frost of the past, she returns to the capital city. At this moment, she becomes the storm.
Xue Fangfei was meant to defy the current and demand justice from heaven as a lone warrior, but luckily encountered a group of people willing to stand behind her—Jiang Li, Tong'er, Qiongzhi, Ya Po, the Ye family, Mingyitang's junior squad leader, Xiao Ruirui, Liu Xu, and especially Xiao Heng, whose heart beats in the same direction as hers. They are Xue Fangfei's weaknesses and also her armor. It is they who have helped her grow through ups and downs, guiding her home in the end.
In truth, whether protagonist or antagonist, everyone in the play is merely a "grain of sand in the current of the times," each with their own sorrows. Xue Fangfei's redemption began when she climbed out of the abyss of darkness. On the road of "questioning karma and demanding justice," she gained and lost along the way. The core of joy is also the pinnacle of sorrow; it is precisely because of the thorns of sorrow that there is the exhilaration of overcoming obstacles.
Recently during interviews, media friends often asked me if I felt particularly exhilarated while filming this drama. I always say, in fact, I didn't feel exhilarated. With a heavy workload, extensive dialogue, complex characters, and the need to constantly brew various emotions to adapt to the twists and turns of the plot, I also needed to learn to restrain my emotions and balance my expressions. I didn't know if I could perform well; the pressure was actually immense. The entire process was exhausting, yet exhilarating.
When I watch the barrage of comments while following the drama, I feel happy with many interpretations and regretful about many aspects that weren't explained well. I am also thankful for everyone's understanding.
The journey of 'The Double' is about to end. I am grateful to every person in front of and behind the scenes who contributed to this drama. I really like a passage from the extra chapters, and I'd like to share it with each of you who watched the drama:
"Life inevitably has its low points, and sometimes right and wrong are hard to discern, but the righteous will never be forsaken by heaven. May every traveler in 'The Double' find retribution and a clear path ahead."
Somewhere Out There
Wu Jinyan "Farewell to 'The Double'”
吴谨言《墨雨云间》 收官告别文 240628
薛芳菲是不幸的，原以为觅得良人，奈何真心错付，差点落得个“人间四月芳菲尽，一抔黄土无人知的下场”。
薛芳菲是幸运的，当暴风骤雨降临清呈山的夜，她抓住了姜梨抛给她的命运藤条，开启了新人生的“剧本”。掸尽陈霜重回京城，此刻，她即是风暴。
薛芳菲本该是逆流而上，向天要公道的孤勇者，却幸运地遇到了一群愿意站在她身后的人——姜梨、桐儿、琼枝、哑婆、叶家、明义堂小分队表哥、小睿睿、柳絮，还有殊途同归亦是心之归处的萧蘅。他们是薛芳菲的软肋，也是她的铠甲。是他们让薛芳菲在起起伏伏中成长，终有归途。
其实剧中无论正派反派，都不过是“时代洪流中的沙粒”，各有各的悲哀。薛芳菲的救赎从她爬出黑夜的深渊开始，在“回头问因果，向前要公道”的路上，她一路得到，也在一路失去。爽的底色，也是极致的悲苦，正因为有荆棘丛生的悲苦，才有披荆斩棘的酣畅。
最近采访时，媒体朋友们经常问我，拍这种剧的时候，是不是特别爽？我总说，其实我不觉得爽。戏量大，台词多，人物复杂，需要不断酝酿各种情绪去适应起伏变化的剧情，也需要学会收敛情绪，把握外放的分寸，不知道自己能不能演好，其实压力很大。整个过程很疲惫，但也很酣畅。
追剧的时候看到弹幕的很多解读，很开心，有很多遗憾，很多没诠释好的地方，也感谢大家的包容。
墨雨的旅程就要结束了，感谢为这部戏付出的台前幕后的每一个人。很喜欢番外里的一段话，也借此送给每一个看剧的你：
“人生难免低谷，是非有时不辩，但清白者，苍天不负。愿每一位墨雨云间中的行人，恩仇得报，前路坦荡。”
#墨雨云间收官##墨雨云间#
Wu Jinyan's Weibo Post 240628
Xue Fangfei is unfortunate. She thought she had found her true love, but alas, her sincere affection was misplaced, nearly leading to an ending of "all flowers of April on earth gone, with none to know my name."
Xue Fangfei is fortunate. When the stormy night descended upon Qingcheng Mountain, she grasped the fate vine thrown to her by Jiang Li, embarking on a new "script" of life. Brushing off the frost of the past, she returns to the capital city. At this moment, she becomes the storm.
Xue Fangfei was meant to defy the current and demand justice from heaven as a lone warrior, but luckily encountered a group of people willing to stand behind her—Jiang Li, Tong'er, Qiongzhi, Ya Po, the Ye family, Mingyitang's junior squad leader, Xiao Ruirui, Liu Xu, and especially Xiao Heng, whose heart beats in the same direction as hers. They are Xue Fangfei's weaknesses and also her armor. It is they who have helped her grow through ups and downs, guiding her home in the end.
In truth, whether protagonist or antagonist, everyone in the play is merely a "grain of sand in the current of the times," each with their own sorrows. Xue Fangfei's redemption began when she climbed out of the abyss of darkness. On the road of "questioning karma and demanding justice," she gained and lost along the way. The core of joy is also the pinnacle of sorrow; it is precisely because of the thorns of sorrow that there is the exhilaration of overcoming obstacles.
Recently during interviews, media friends often asked me if I felt particularly exhilarated while filming this drama. I always say, in fact, I didn't feel exhilarated. With a heavy workload, extensive dialogue, complex characters, and the need to constantly brew various emotions to adapt to the twists and turns of the plot, I also needed to learn to restrain my emotions and balance my expressions. I didn't know if I could perform well; the pressure was actually immense. The entire process was exhausting, yet exhilarating.
When I watch the barrage of comments while following the drama, I feel happy with many interpretations and regretful about many aspects that weren't explained well. I am also thankful for everyone's understanding.
The journey of 'The Double' is about to end. I am grateful to every person in front of and behind the scenes who contributed to this drama. I really like a passage from the extra chapters, and I'd like to share it with each of you who watched the drama:
"Life inevitably has its low points, and sometimes right and wrong are hard to discern, but the righteous will never be forsaken by heaven. May every traveler in 'The Double' find retribution and a clear path ahead."
#TheDoubleFinale#
4 months ago (edited) | [YT] | 1,568