Teenage Engineering OP-XY review: What we love about it... and what we don't

Pig&Dan (Drumcode/Soma) studio masterclass (2016) – FROM THE ARCHIVE

Why Valhalla Supermassive is a fantastic free effect plugin... and how to use it!

Icicle makes a DnB beat from scratch (2016) – FROM THE ARCHIVE

Gear of the year 2024: The 10 best synths, samplers and drum machines

Daniel Miller gives us a tour of Studio Mute (2014) – FROM THE ARCHIVE

Sub Focus breaks down his track Solar System (2019) – FROM THE ARCHIVE

Create a full techno track from scratch with Tom Hades – FROM THE ARCHIVE

"Clubs are dying, but I don't think music scenes will die": Mr. Mitch (aka DJ Cuddles) interview

Korg's strangest synths: “We think there were probably less than 50 of these ever produced”

The Last DJ's techno tips: "I'm not afraid to break the rules. The main thing is to enjoy yourself"

Why Vital is a fantastic free synth plugin... and how to use it properly

Mr. Mitch (aka DJ Cuddles) turns old ideas into finished tracks – In the studio

Roland VQD106 review: Are they really “the lowest playing-noise in the history of electronic drums?”

3 ways to use Oeksound Bloom in a mix: Why this adaptive tone shaper could become a new go-to effect

Beginner's guide to modular synthesis: Oscillators and how to patch them – Easy guide to Eurorack

Motor Synth MkII review: Beautifully odd and maddening – The things we love and some things we don't

Max Cooper explains his stunning live 3D/AV show: "I want freedom to just have fun with it"

The history of Korg in 21 synths: Inside the new Korg Gallery

Polyend Synth review and developer interview: A late contender for 2024’s best new instrument

Musicians that have invested in the platform deserve more: Maschine 3.0 software demo & review

"With the SH-101 the first thing you do is try to rip off the bassline to I Feel Love": Utah Saints

"Michael Stipe said it was his favourite dance album" Rave icons Utah Saints on their '92 debut

Boston Bun talks us through the stems of Nobody // Me

Korg Multi/Poly review: "It's not a Mono/Poly... but it's an interesting take on some of its ideas"

“I like sampling from vinyl; I like the limitation, and the randomness.”: Hardt Antoine interview

Adrian Sherwood 2015 On-U Sound studio tour & making Late Night Endless w/ Pinch – FROM THE ARCHIVE

Breakout UK artist Yunè Pinku flips a piano sample and builds a beat from scratch

Get started with Ableton Move: 6 quick workflow tips

Is Ableton Move a must-have Live accessory? Review & developer interview

"We've got to get this on every track": How A Place to Bury Strangers made an LP into a DIY synth

"I don't like process": Hardt Antoine track building masterclass – in the studio

Has Roland finally nailed drum module sounds? The 7 series won't leave you reaching for that laptop

“I use a podcast mic and a garbage keyboard and just go to town”: Yunè Pinku studio interview

"When I started I thought I was doing jazz": Vladislav Delay 2014 studio tour – FROM THE ARCHIVE

In The Studio with Public Service Broadcasting

“Winona was 100% in-the-box, but I don't know how I could even do that today”: DJ BORING Interview

How to use your Eurorack as a modular effects unit

A Guy Called Gerald on live performance – Interview and Roland T-8 jam

Everything we love about Moog Labyrinth... and one thing we don't – Synth review

10 things producers can learn from our In The Studio With... series

How DJ BORING starts a track: sampling the DFAM & Syncussion SY-1M – In the studio w/ Future Music

Kali Audio LP-UNF - ultra affordable and ultra useful

DJ BORING breaks down You Luv Me: "In my brain it seems way more complex"

Program a playable synth kick – synth percussion basics

"I was p*ssed off. Jungle was letting off steam": A Guy Called Gerald on moving on from acid house

salute: "Pop-influenced dance music is amazing; that's always been a part of my sonic identity."

KingKorg NEO review: "The kinds of sounds you could create easily within a plugin"

"Making edits of the edits": Max Cooper jams with synths and breaks down the workflow behind Swarm

"This is how you get your brain out of the technical side": Chromeo's live rig – exclusive tour

Chromeo interview: "You're never gonna sound as good as Kool & the Gang, so what's the point?"

Moog Spectravox: a vocoder, a filter or a modular synth? What exactly is it? – Hands-on review

"Acid house was stripped-down funk" A Guy Called Gerald on classic Roland gear – @brightonmusicconf

An ambient modular masterclass – creating drones, lush chords and generative sequences in Eurorack

Tourist breaks down the making of Ithaca – In the studio w/ Future Music

Boston Bun on remixing Miley Cyrus, his new live set and what makes French house special – interview

Demi Riquísimo interview: “Some of the best tracks have no more than 5 elements that work together”

"The idea of limitation is really important” – Luke Slater on making LB Dub Corp's Saturn to Home

Make a track sketch in the style of Overmono's Blow Out – Beginner's guide including free samples

Is this the coolest new synth of 2024? – Cyma Forma ALT no talking sound demo