ATypI Brisbane 2024 | David Sargent | Embedded Elements of Place and Time—A Typeface Revival

ATypI Brisbane 2024 | Nat McCully | Text Layout Challenges With Non-Square CJK Fonts

ATypI Brisbane 2024 | Clint Harvey Dzintra Menesis Melissa Silk | Bovine Pyroglyphics

ATypI 2024 Brisbane | Ralph Kenke | The Value of Negative Space in Logotype Design

ATypI Brisbane 2024 | Stephen Banham | A Brief Survey of Australian Typography 1983–2023

ATypI Brisbane | Rachapoom Punsongserm | Comparing Legibility of Thai Universal Design Typeface...

ATypI Brisbane 2024 | Tania Hearn | Putting U Into Color Fonts...

ATypI Brisbane | Arushi Jain, Ashish Jain | Enhanced Paragraph Justification With Consistent Spacing

ATypI Brisbane 2024 | Min-Young Kim | How Type in Latin, Japanese, and Korean Each Developed...

ATypI Brisbane 2024 | Yehang Yin | Zhuque, an Ongoing AI-Aided Fangsong Type Revival

ATypI Brisbane 2024 | Muthu Nedumaran | Sketching, Shaping, and Proofing Fonts

ATypI Brisbane | My-Lan Thuong | Toward a More Inclusive Support – Underrepresented Latin Languages

ATypI Brisbane 2024 | Siva Kalyan | Automating the Optical Scaling of Fonts

ATypI Brisbane 2024 | Hashim Padiyath | A Geometric Study of Malayalam Letterforms

ATypI Brisbane 2024 | Dominik Röttsches | Crafting New Fontations for Chrome

ATypI 2024 Brisbane | Ashley Fuchs | Chromatic Type: New Technological Integrations and...

ATypI 2024 Brisbane | Doug Wilson | How the Linotype Was Exported to Colonial Australia

ATypI 2024 Brisbane | John D Berry | The Typography of Books

ATypI 2024 Brisbane | Ausra Lisauskiene | UROBORUS Letters That Helped Preserve Language and Culture

ATypI 2024 Brisbane | Pouya Jahanshahi | Renovating Tradition: Nastaʿlīq Script in the Digital Age

ATypI 2024 Brisbane | Doug Wilson | Linotype: The Film | Screening Followed by Directors’ Q&A

ATypI 2024 Brisbane | Kate Widdows Michael Blazek | Writing With Light: Neon Lettercraft in the 21st

ATypI 2024 Brisbane | Karin Kashima | Morisawa Type Design Competition 2024 Updates

ATypI 2024 Brisbane | Wang Wen | FZShaolinGongfuTi: Translation From Shaolin Kungfu to Typeface...

ATypI 2024 Brisbane | Eric Q. Liu | East and West, Grid is Best

ATypI 2024 Brisbane | Mary Faber | Counter Intuitive? Why AI is Not My Type (Yet)

ATypI 2024 Brisbane | Crystian Cruz | Censurativa: Can a Typeface Provoke Social Awareness?

ATypI 2024 Brisbane | Mila Waldeck | The Machine Can Do Everything—It Has No Law of Its Own

ATypI 2024 Brisbane | Dominique Falla | Ten Years of Typism: A Community Built on Craftsmanship...

ATypI 2024 Brisbane | Troy Leinster | Ideation to Publication—My Type Design Process

ATypI 2024 Brisbane | Wes Franklin | Walls That Speak: The Role of Typographic Murals...

ATypI 2024 Brisbane | Thy Ha | Type, Tradition, and Transformation: Unfolding...

ATypI 2024 Brisbane | Nada Abdallah | Right Left Right: Analog to Digital, Arabic to Latin

ATypI 2024 Brisbane | Aurelie Maron | Rescuing My Career Through Lettering: A Journey...

ATypI 2024 Brisbane | Tao Di and Ryota Doi | Type Trends in China and Japan

ATypI 2024 Brisbane | Venkat Yetrintala | Building Trust Through Transparency: Exploring...

ATypI 2024 Brisbane | Melanie Uribe | Augmented Realities: Graphic Design’s Role in Amplifying...

ATypI 2024 Brisbane | Jason Pamental | Engines of Expression: Extending Design Systems With...

ATypI 2024 Brisbane | Nagesh Lakhan | Font to Frame: Typography’s Cinematic Journey in Bollywood

ATypI 2024 Brisbane | Christine Bateup | Copyright Implications of Generative AI...

ATypI 2024 Brisbane | Pascale Schmid | Type In-Flight—What’s the Problem?

ATypI 2024 Brisbane | Willie Liu | Reviving Ming Kwai, the Legendary Chinese Typewriter Font

ATypI 2024 Brisbane | Shiyang He | Multi-Script Typeface Design, Typography for Chinese Minority...

ATypI 2024 Brisbane | Matt Vergotis | Crafting the Identity of Craft Beer Brands Through Letterforms

The Art, Culture, and Business of Type - Jan Middendorp [ATypI São Paulo]

Back to Alif | Nada Abdallah | ATypI 2023 Paris

Not the Visual Synchronization but the Contextual Reinterpretation | Chorong Kim, Seulki Kim | ATypI

Presentation of TDC Medal to Jan Middendorp | Eric Liu | ATypI 2023 Paris

The Heritage of Oldřich Menhart | Petra Dočekalová | ATypI 2023 Paris

Reviving Unknown 16th-century Dutch Type | Shotaro Nakano | ATypI 2023 Paris

Experiments on Reforming the Printed Letters of the Bolorgir Style | Elena Papassissa | ATypI 2023

Fishing Figures | Yoann De Roeck | ATypI 2023 Paris

Type Unite. Experimental Typography | Agnieszka Ziemiszewska | ATypI 2023 Paris

Uncovering the ATF Archives at the Smithsonian Institution | Laura Chessin | ATypI 2023 Paris

Wood Type Manufacturers in France | Eric Nunes | ATypI 2023 Paris

Tipos Latinos 9: The Latin American Type Biennial comeback | Fernando Mello, Henrique Nardi | ATypI

The Anti-type Book | Yomar Augusto | ATypI 2023 Paris

Cuneiform—New Life for a Dead Script: Rendez-vous of extinct languages | Roman Wilhelm | ATypI 2023

Typoteka.pl— Typographic roots of Poland | Ania Wieluńska, Borys Kosmynka, Mateusz Machalski | ATypI

The Pergamon Project | Onur Yazıcıgil | ATypI 2023 Paris