Partnering with Buffalo Bill: Collaboration and Popular Memory

"Playing Indian"

Lillian Smith versus Annie Oakley

Lillian Smith

Introduction

Biography of Artifacts

Indians and Europeans

Europeans and Indians

Introduction: The Legacy of the Lakota Performers

European Perceptions of the Wild West

Europe's Place in Wild West History

The Wild West's Popularization of the Frontier Myth

Introduction

Jeremy Johnston, "Toasts and Closing Remarks"

Paul Hutton, "Buffalo Bill and the Frontier Myth"

Roundtable Discussion: "Buffalo Bill's America and the Future of Cody Studies"

Alessandra Magrin, "The Enduring Legacy of Buffalo Bill in Italian Cinema" & session Q&A

Danielle Haque, "Arab Performers and the Wild West"

Ch. Didier Gondola, "Buffalo Bill Cody in Kinshasa"

Christine Bold, "Buffalo Bill and "Dime Novelitis""

Emily Voelker, "Portrait of an Oglala in Paris with Buffalo Bill's Wild West, 1889" & session Q&A

Jennifer Henneman, "BBWW & the Fine Arts Galleries of the American Exhibition in London of 1887"

Emily Burns, "Parisian Frontiers: Buffalo Bill's Wild West and French Masculinities, 1889-1906"

Alyce Webb, "Pawnee Bill's Original Wild West Show: Education an Community Across 130 Years"

Shannon Murray, "Celebration, not Re-Creation: Indian Village at the Calgary Stampede"

Laura Arata, "Mickey Mouse Cowboys: Memory, Authenticity, and Disney's Wild West"

Louis Warren, "Buffalo Bill in the Borderlands"

Roundtable Discussion: "New Approaches to Cody Studies"

Bob Rydell, "The Journey from BBWW to The Hague Peace Conferences in 1899 and 1907" & session Q&A

Nicole Perry, "The Beginning of a Love Affair? Buffalo Bill in Germany"

Jamie Horrocks, "Cody, Wilde and Transatlantic Celebrity"

Arthur Amiotte, "Transformation and Continuity in Lakota Culture"

Gregory Hinton, "After Hours: Buffalo Bill in London" & session Q&A

Tom Cunningham, "Black Elk in Naples"

Frank Christianson, "The Special Relationship as Popular Culture: The Legacy of 1887"

Joe Dobrow, "Jumping Jehosaphat! The Wit and Marketing Wisdom of Major John M. Burke" & session Q&A

Michelle Delaney, "Art and Advertising Buffalo Bill's Wild West"

James Connolly, "The Wild West in the American Heartland"

Roundtable Discussion: "The Legacy of Buffalo Bill at the Center of the West" & session Q&A

Martin Woodside, "Considering the Frontiers of Childhood" & session Q&A

Monica Rico, "Annie Oakley: Performing the "New Girl""

Julia Bricklin, "Lillian Frances Smith: Adolescence, Gender, and Performing Identity"

Patty Limerick, "The Persistent Power of Paradox: Cody's Life as A Field Guide to the American West"

Robert Palazzo, "Captain Jack Crawford and Buffalo Bill: Similar But Not Equal" & session Q&A

Nicole Etcheson, "Buffalo Bill's Civil War"

Jeff Broome, "Cody's Role in the Battle of Susanna Springs, Known Today as Summit Springs"

Peter Hassrick, "Art in Cody: The Whitney Legacy" & session Q&A

Steve Friesen, "Lakota Performers in Europe"

Paul Fees, "Buffalo Bill and the Museum"

Jeremy Johnston, "Welcome & Overview"

Scene 4: Buffalo Dance

American Mutoscope Buffalo Bills Wild West Parade 1901

La Cirque Buffalo Bill Peaux Rouges

Scene 7: Annie Oakley

Scene 6: Bucking Broncho

Scene 2: Sioux Ghost Dance

Buffalo Bill's Wild West

Nearly as Exciting as Fighting Indians; They Make it Four Handed

Buffalo Bill's Last Hunt

A Meeting of Two Rulers