Opening Keynote: Type and Money | John Maeda | ATypI 2019 Tokyo

Invisible Letters, Invisible Language | Zachary Scheuren | ATypI 2019 Tokyo

Japanese Typography, Lettering, and Commercial Art in the Early Twentieth Century | Florence Fu

Our New Typography: Dynamic Typesetting, Variable Fonts, and... | Jason Pamental | ATypI 2019 Tokyo

The History of Japan’s Era Name Square Ligatures | Ken Lunde | ATypI 2019 Tokyo

Hangul Type-Design Methodology: Making Revision Fun | Chorong Kim, Wujin Sim | ATypI 2019 Tokyo

Building a New Typography | Rathna Ramanathan | ATypI 2019 Tokyo

From Bijin-ga to Brutus | Ian Lynam | ATypI 2019 Tokyo

Bilingual Typographies across Chinese Magazines | Renee Elizabeth Salmonsen | ATypI 2019 Tokyo

Sinhala Wood-Block Type | Sumanthri Samarawickrama | ATypI 2019 Tokyo

Two Post-War Typographers and Modernism | Taro Yamamoto | ATypI 2019 Tokyo

Japanese Fat Faces from the Edo Period to Today | Tomoko Ishikawa | ATypI 2019 Tokyo

A Typeface for Endangered Languages | Shinji Ogawa, Hiroto Ueda | ATypI 2019 Tokyo

Rediscovering the Beauty of Kana | Hisashi Iwai | ATypI 2019 Tokyo

Parametric Fallback Fonts for the Web | Laurence Penney, Irene Vlachou | ATypI 2019 Tokyo

Japanese Text Layout for the Future | Yuki Ishioka, Nat McCully | ATypI 2019 Tokyo

Variable Fonts in Google Fonts | Irin Kim, Nathan Williams | ATypI 2019 Tokyo

Type1 Fonts: A Brief Biography | Vinod Balakrishnan | ATypI 2019 Tokyo

Grammatography | Underware | ATypI 2019 Tokyo

The Sans Serif in France: The Early Years (1834–44) | Sebastien Morlighem | ATypI 2019 Tokyo

Building Hangul like an Architect: Utilizing Variable Fonts | Dohee Lee | ATypI 2019 Tokyo

Ferdinand Theinhardt’s Legacy in Tibetan Typography | Jo De Baerdemaeker | ATypI 2019 Tokyo

Typography for New and Better Readers | Dafne Martinez, Sandra Garcia | ATypI 2019 Tokyo

Meetei Mayek: A Work in Progress | Neelakash Kshetrimayum | ATypI 2019 Tokyo

Age-Related Deficits and Their Effects on Reading | Sofie Beier | ATypI 2019 Tokyo

In Search of ATypI | John D. Berry | ATypI 2019 Tokyo

Jin Xuan: The World’s First Crowdfunded East Asian Ideographic Typeface | Wei-Hsiang Su | ATypI

The Quest for Modern Cyrillic | Alexandra Korolkova, Dmitry Goloub | ATypI 2019 Tokyo

45 Days of Khmer Type | Sovichet Tep | ATypI 2019 Tokyo

Two Revivals | Nora Bekes, Celine Hurka | ATypI 2019 Tokyo

Toward Better Guidelines for AR Typography | Min-Young Kim | ATypI 2019 Tokyo

Machine Learning and Type Design | Takuto Higurashi | ATypI 2019 Tokyo

CJK Variable Font Based on Source Han Sans | Masataka Hattori | ATypI 2019 Tokyo

Kanji Typography | Akira Kataoka, Tsuyokatsu Kudo, Yoshimaru Takahashi | ATypI 2019 Tokyo

Hiragino’s Development from a Technical Perspective | Masahiro Ochiai | ATypI 2019 Tokyo

Kawaka Ikehara, the Designer of the First Japanese Metal Types | Yukari Haruta | ATypI 2019 Tokyo

Type. My Life. | Akihiko Morisawa | ATypI 2019 Tokyo

Keynote: Super Graphics; The possibilities of Type Scapes | Yuki Kikutake | ATypI 2019 Tokyo

Designing an Energetic Typeface from Handwriting | Ryoko Nishizuka | ATypI 2019 Tokyo

Expressing Vocal Tones through Typography | ATypI 2019 Tokyo

A Type “Flavor Wheel” | Edwina Lee | ATypI 2019 Tokyo

The State of Progressive Font Enrichment | Garret Rieger, Rod Sheeter | ATypI 2019 Tokyo

Tracking Kinetic Typography | Milda Kuraityte | ATypI 2019 Tokyo

Callijatra: Reviving Ranjana Script | Ananda Kumar Maharjan, Sunita Dangol | AtypI 2019 Tokyo

“Lo-Res” Chinese: Toward a History of Non-Latin Bitmap Fonts | Thomas Mullaney | ATypI 2019 Tokyo

The Carrier of the Soul | Wei Ming, Yin Qiu | ATypI 2019 Tokyo

New Writing Manuals | Petra Docekalova | ATypI 2019 Tokyo

The Evolution of Thai Loopless Script | Promphan Suksumek | ATypI 2019 Tokyo

To Be, or Not to Be Read? | Xuan Zhang | ATypI 2019 Tokyo

A Paradigm Shift | Ryota Doi | ATypI 2019 Tokyo

Closing Keynote: News from Nowhere | Petra Cerne Oven | ATypI 2019 Tokyo