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“I just had to respect the sound”: Idania Valencia on mastering Charli XCX, go-to plugins and AI
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Pig&Dan (Drumcode/Soma) studio masterclass (2016) – FROM THE ARCHIVE
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Daniel Miller gives us a tour of Studio Mute (2014) – FROM THE ARCHIVE
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Sub Focus breaks down his track Solar System (2019) – FROM THE ARCHIVE
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Create a full techno track from scratch with Tom Hades – FROM THE ARCHIVE
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The Last DJ's techno tips: "I'm not afraid to break the rules. The main thing is to enjoy yourself"
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Mr. Mitch (aka DJ Cuddles) turns old ideas into finished tracks – In the studio
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Max Cooper explains his stunning live 3D/AV show: "I want freedom to just have fun with it"
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"With the SH-101 the first thing you do is try to rip off the bassline to I Feel Love": Utah Saints
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"Michael Stipe said it was his favourite dance album" Rave icons Utah Saints on their '92 debut
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Boston Bun talks us through the stems of Nobody // Me
12:45
“I like sampling from vinyl; I like the limitation, and the randomness.”: Hardt Antoine interview
15:16
Breakout UK artist Yunè Pinku flips a piano sample and builds a beat from scratch
15:40
"We've got to get this on every track": How A Place to Bury Strangers made an LP into a DIY synth
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"I don't like process": Hardt Antoine track building masterclass – in the studio
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Adrian Sherwood 2015 On-U Sound studio tour & making Late Night Endless w/ Pinch – FROM THE ARCHIVE
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"When I started I thought I was doing jazz": Vladislav Delay 2014 studio tour – FROM THE ARCHIVE
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In The Studio with Public Service Broadcasting
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“Winona was 100% in-the-box, but I don't know how I could even do that today”: DJ BORING Interview
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10 things producers can learn from our In The Studio With... series
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How DJ BORING starts a track: sampling the DFAM & Syncussion SY-1M – In the studio w/ Future Music
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DJ BORING breaks down You Luv Me: "In my brain it seems way more complex"
19:50
salute: "Pop-influenced dance music is amazing; that's always been a part of my sonic identity."
10:46
"I was p*ssed off. Jungle was letting off steam": A Guy Called Gerald on moving on from acid house
16:51
"Making edits of the edits": Max Cooper jams with synths and breaks down the workflow behind Swarm
12:37
Chromeo interview: "You're never gonna sound as good as Kool & the Gang, so what's the point?"
21:26
"Acid house was stripped-down funk" A Guy Called Gerald on classic Roland gear – @brightonmusicconf
19:09
Tourist breaks down the making of Ithaca – In the studio w/ Future Music
11:12
Demi Riquísimo interview: “Some of the best tracks have no more than 5 elements that work together”
23:31
"The idea of limitation is really important” – Luke Slater on making LB Dub Corp's Saturn to Home
32:30
Max Cooper: "The way I work is more like a sculptor than a musician" – Studio tour and interview
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Tourist interview: “My modular is a nightmare; I just end up wasting time and spending money”
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Luke Slater on the creative process behind LB Dub Corp and Planetary Assault Systems – In The Studio
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Dave Clarke interview "A lot of records offended people in weird ways; how did they get that sound?"
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Demi Riquísimo on the vintage rave synths behind Windows 95 Anthem – In The Studio w/ Future Music
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Luke Slater (aka Planetary Assault Systems) processing his TR-909 – In The Studio
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Ride's Mark Gardener In the Studio with Future Music – Studio tour and the making of Interplay
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10 Questions for Paranoid London – In The Studio with Future Music
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Paranoid London In The Studio – Gear tour and live hardware jam
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Vintage synths, tape loops and working with Air – Jean-Michel Jarre In The Studio with Future Music
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In The Studio With Emika
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Dada Life In The Studio With Future Music
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Reso creating breaks In The Studio With Future Music
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Leftwing & Kody In The Studio With Future Music
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New World Sound In The Studio With Future Music
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