How Language Dominates Normal People

Chasing Cars in Y Tu Mamá También

a Love Letter to Twin Peaks

The Journey of Cassian Andor

The Return of Twin Peaks is Lynch's Magnum Opus

Mulholland Drive is Lynch’s Moving Painting

Exploring Edward Yang and Taiwanese Cinema

How Coppola Translates Meaning in Lost in Translation

Why Nothing Happens in Lee Chang Dong's Burning

Why Blue Velvet is Lynch's Portrait of American Society

Why Spider-Man 2 is still the Best Spider-Man Film

The Gift of Choice in It's a Wonderful Life

Cowboy Bebop: Why the First Episode is a Masterpiece

The Importance of Eyes in Blade Runner

Audition: a Masterclass in Restraint

Bong Joon-Ho asks us to look Inwards in Memories of Murder

Prizoner of Azkaban: The Turning Point

The Shining: a Masterclass in Framing

Eric Rohmer: The Art of Conversation

a Clockwork Orange: Why Art Matters

Days of Being Wild: Floating through Life

A Brighter Summer Day: Nature vs Nurture

The Beauty of Wong Kar Wai's Sophomore Film

Belle de Jour: Buñuel and Feminism

HEAT: Chasing Life

The Seventh Seal: The Void of Faith

Yi Yi: The Cinema of Life

Fallen Angels: Rising from the Dust

The Green Ray: Hiding from Life

Is Fire Walk With Me David Lynch's Masterpiece?

Chungking Express: Learning to Let Go

The Philosophy of Tarkovsky's Solaris

Why Shithouse was the Best Indie Film of 2020

Another Round (Druk) Is The Film 2020 Needed

The Meta Film inside Wes Andersons Life Aquatic

Why Stalker is Tarkovsky's Biography