Sarah Friedland (FAMILIAR TOUCH) Wins the Someone To Watch Award | 2025 Spirit Awards

Rachel Elizabeth Seed (A PHOTOGRAPHIC MEMORY) Wins the Truer Than Fiction Award | 2025 Spirit Awards

Sarah Winshall (I SAW THE TV GLOW) Wins the Producers Award | 2025 Spirit Awards

Film Independent Board Chair Brenda Robinson on the Passing of President Josh Welsh

When Art and War Collide | Porcelain War Q&A

A Dark Fairy Tale | The Girl with the Needle Q&A

Turning Tropes On Their Head | Strange Darling Q&A

What Really Happens When You Ban Abortions | Zurawski v Texas Q&A

Jude Law Gets Inside the Mind of a Domestic Terrorist | The Order Q&A

Angelina Jolie Finds Her Voice | Maria Q&A

Jesse Eisenberg’s Journey Across Generations | A Real Pain Q&A

Always Remember: Documentary Shorts Q&A

Always Remember: Narrative Shorts Q&A

An Evening with Demi Moore

Punk Rock in Castro’s Cuba | Los Frikis Q&A

The Filmmaker-Participant Relationship Unpacked

Using a Community to Help Make a Film | Arzé Q&A

The Ultimate Fight Card with Michael Pitt & Ron Perlman | Day of the Fight Q&A

Turning a Crime Story into a Musical | Emilia Pérez Q&A

How Brothers Malcolm & John David Washington Hit the Right Notes in ‘The Piano Lesson’ | Q&A

Here Are Your 2025 Film Independent Spirit Award Nominees!

A Frank Look at Love and Sex in India | Girls Will Be Girls Q&A

When the Brazilian Government Kidnaped Its Own People | I’m Still Here Q&A

Pamela Anderson: “This Might Be the Only Movie I’m Ever Able to Do” | The Last Showgirl Q&A

Recovery and Reslience in ‘Continue’ | Q&A

Monkeying Around w Robbie Williams | ‘Better Man’ Q&A w Director Michael Gracey & Sam Levinson

How ‘Nocturnes’ Turned Biology into a Cinematic Experience | Q&A

‘Dahomey’ Gives Art a Voice | Q&A w Mati Diop

Cillian Murphy’s Oscar Followup? Producing ‘Small Things Like These’

Always Remember October: The Commandant’s Shadow Q&A

Always Remember October: June Zero Q&A

Always Remember October: Love it Was Not Q&A

Always Remember September: Remember This Q&A

Always Remember September: Sabotage Q&A

Embedded with the Taliban | Hollywoodgate Q&A

Shooting an Entire Film in First Person POV | Nickel Boys Q&A w RaMell Ross

Finding Donald Trump by Making his Origin Story

Peter Sarsgaard on How to Build Understanding in Violent Times | September 5 Q&A

His Fingerprints are All Over ‘Memoir of a Snail’ – Literally | Adam Elliot Q&A

A Life in Horror: Babadook 10 Years Later | Q&A w Jennifer Kent

How to Navigate Film Festivals & Distribution | Global Panorama

Changing the Narrative on Climate | Film Independent Forum

Where’s the Money for Your Film | Finance Clinic

The New New Hollywood | The New Wave Actors Roundtable

The Future of TV is Global | Forum Panel: Global TV: How Does It Translate?

The Art of Producing an Independent Film | 40 Years of Film Independent

What’s it Like On the Road with ‘Will & Harper’ | Q&A w director Josh Greenbaum

Hiro Murai in conversation with Daniel Kwan | Film Independent Forum Keynote

Sebastian Stan, Adam Pearson & Aaron Schimberg on Changing Perceptions in ‘A Different Man’ | Q&A

How Lily Gladstone’s Lived Experience on Reservation informed ‘Fancy Dance’ | Q&A

Deconstructing the ‘Strong Black Woman’ | ‘Young. Wild. Free.’ Q&A

How Dialogue Became a Character in Elizabeth Olsen’s ‘His Three Daughters’ | Q&A

We gave them an iPhone & said ‘Make a film’ | Global Media Makers

We Can Do Anything We Want to Do | Global Media Makers iPhone Short by Eshah Shakeel

The Breather | Global Media Makers iPhone Short by Anastasiya Gruba

Full Circle | Global Media Makers iPhone Short by Heddwyn Kyambadde

Missing My Tamarind Tree | Global Media Makers iPhone Short by Debalina Majumder

Beverly Bills | Global Media Makers iPhone Short by Ívan Löwenberg

How To Write Dialogue For Young People | My Old Ass Q&A

Frayed Family Ties | In the Summers Q&A w Director Alessandra Lacorazza